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Issue № 194

Validating a Custom DTD

by J. David Eisenberg25 Comments

In his article in this issue, Peter-Paul Koch proposes adding custom attributes to form elements to allow triggers for specialized behaviors. The W3C validator won’t validate a document with these attributes, as they aren’t part of the XHTML specification. Not to worry! This article will show you how to create a custom DTD that will add those custom attributes, and will also show you how to validate documents that use those new attributes.

JavaScript Triggers

by Peter-Paul Koch140 Comments

Now that you’ve separated your website’s (XHTML) structure from its (CSS) presentation, wouldn’t it be great to similarly abstract the behavioral (JavaScript) layer from the others? ALA prodigal Peter-Paul Koch shows how to use JavaScript Triggers to do just that.

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Being Profitable

So you own a business. It’s the best job you’ve ever had, and it will be forever—as long as the business stays viable. That means understanding when it's profitable, and when you may have to make some adjustments. Don’t worry—it doesn’t require an accounting degree and it won’t turn you into a greedy industrialist.

From the Blog

10 Years Ago in ALA: Pocket Sized Design

The web doesn’t do “age” especially well. Any blog post or design article more than a few years old gets a raised eyebrow—heck, most people I meet haven’t read John Allsopp’s “A Dao of Web Design” or Jeffrey Zeldman’s “To Hell With Bad Browsers,” both as relevant to the web today as when they were first written. Meanwhile, I’ve got books on my shelves older than I am; most of my favorite films came out before I was born; and my iTunes library is riddled with music that’s decades, if not centuries, old.

Valediction

When I first met Kevin Cornell in the early 2000s, he was employing his illustration talent mainly to draw caricatures of his fellow designers at a small Philadelphia design studio. Even in that rough, dashed-off state, his work floored me. It was as if Charles Addams and my favorite Mad Magazine illustrators from the 1960s had blended their DNA to spawn the perfect artist.