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Issue № 239

Take web design off the production line. Design better by offloading routine tasks.

You Are Not a Robot

by Jonathan Kahn23 Comments

Are we not (wo)men? Cut us and we bleed. Present us with a problem and we solve it—using judgement, experience, and the ability to generalize. Learn why machines will never be able to do our jobs, and how knowing that fact can build respect for the profession.

Frameworks for Designers

by Jeff Croft55 Comments

Frameworks like Rails, Django, jQuery, and the Yahoo User Interface library have improved web developers' lives by handling routine tasks. The same idea can work for designers. Learn how to harness the power of tools, libraries, conventions, and best practices to focus creative thought and energy on what is unique about each project.

More from A List Apart

Columnists

Matt Griffin on How We Work

Being Profitable

So you own a business. It’s the best job you’ve ever had, and it will be forever—as long as the business stays viable. That means understanding when it's profitable, and when you may have to make some adjustments. Don’t worry—it doesn’t require an accounting degree and it won’t turn you into a greedy industrialist.

From the Blog

10 Years Ago in ALA: Pocket Sized Design

The web doesn’t do “age” especially well. Any blog post or design article more than a few years old gets a raised eyebrow—heck, most people I meet haven’t read John Allsopp’s “A Dao of Web Design” or Jeffrey Zeldman’s “To Hell With Bad Browsers,” both as relevant to the web today as when they were first written. Meanwhile, I’ve got books on my shelves older than I am; most of my favorite films came out before I was born; and my iTunes library is riddled with music that’s decades, if not centuries, old.

Valediction

When I first met Kevin Cornell in the early 2000s, he was employing his illustration talent mainly to draw caricatures of his fellow designers at a small Philadelphia design studio. Even in that rough, dashed-off state, his work floored me. It was as if Charles Addams and my favorite Mad Magazine illustrators from the 1960s had blended their DNA to spawn the perfect artist.