A List Apart

Menu
Issue № 389

Universal design is a job.

Designing for Easy Interaction

by Sarah Horton, Whitney Quesenbery16 Comments

Whether you contribute to the user experience, development, or strategy of your website, you have a business, ethical, and (in many cases) legal responsibility to make your site accessible. And an equally compelling duty to your stakeholders, creativity, and career to achieve accessibility without sacrificing one whit of design or innovation. So what’s a site and application maker to do? For starters, read this book! We are thrilled to present an exclusive excerpt from Chapter 5 of A Web for Everyone: Designing Accessible User Experiences by Sarah Horton and Whitney Quesenbery, available now from Rosenfeld Media—and with a 20 percent discount for ALA readers, even.

More from A List Apart

Columnists

Rachel Andrew on the Business of Web Dev

Getting to the Action

Was that conference worth it? There were smart tips and awesome people. Should you buy a ticket this year? For a freelancer or small business, it can be a significant expense. Wouldn’t it be great to know if the investment in time and money is likely to move the business forward?

From the Blog

10 Years Ago in ALA: Pocket Sized Design

The web doesn’t do “age” especially well. Any blog post or design article more than a few years old gets a raised eyebrow—heck, most people I meet haven’t read John Allsopp’s “A Dao of Web Design” or Jeffrey Zeldman’s “To Hell With Bad Browsers,” both as relevant to the web today as when they were first written. Meanwhile, I’ve got books on my shelves older than I am; most of my favorite films came out before I was born; and my iTunes library is riddled with music that’s decades, if not centuries, old.

Valediction

When I first met Kevin Cornell in the early 2000s, he was employing his illustration talent mainly to draw caricatures of his fellow designers at a small Philadelphia design studio. Even in that rough, dashed-off state, his work floored me. It was as if Charles Addams and my favorite Mad Magazine illustrators from the 1960s had blended their DNA to spawn the perfect artist.