Web fonts are here. Now that browsers support real fonts in web pages and we can license complete typefaces for such use, it’s time to think pragmatically about how to use real fonts in our web projects. Above all, we need to know how our type renders in screens, in web browsers. To that end, Tim Brown has created Web Font Specimen, a handy, free resource web designers and type designers can use to see how typefaces will look on the web.
Topic: Typography & Web Fonts
On Web Typography
Until now, chances are that if we dropped text onto a web page in a system font at a reasonable size, it was legible. But with many typefaces about to be freed for use on websites, choosing the right ones to complement a site’s design will be far more challenging. Many faces to which we’ll soon have access were never meant for screen use, either because they’re aesthetically unsuitable or because they’re just plain illegible. Jason Santa Maria, a force behind improved type on the web, presents qualities and methods to keep in mind as we venture into the widening world of web type.
Real Fonts on the Web: An Interview with The Font Bureau’s David Berlow
Is there life after Georgia? We ask David Berlow, co-founder of The Font Bureau, Inc, and the first TrueType type designer, how type designers and web designers can work together to resolve licensing and technology issues that stand between us and real fonts on the web.
In Defense of Readers
As web designers, we concern ourselves with how users move from page to page, but forget the needs of those whose purpose is to be still. Learn the design techniques that create a mental space for reading. Use typographic signals to help users shift from looking to reading, from skimming along to concentrating. Limit distractions; pay attention to the details that make text readable; and consider chronology by providing transitions for each of the three phases of the online reading experience.
How to Size Text in CSS
It’s a tug-of-war as old as web design. Designers need to control text size and the vertical grid; readers need to be able to resize text. A better best practice for sizing type and controlling line-height is needed; and in this article, Richard Rutter obligingly supplies one.
CSS @ Ten: The Next Big Thing
Ten years ago, Håkon Wium Lie and Bert Bos gave us typographic control over web pages via CSS. But Verdana and Georgia take us only so far. Now Håkon shows us how to take web design out of the typographic ghetto, by harnessing the power of real TrueType fonts.
Setting Type on the Web to a Baseline Grid
As web designers, we sometimes may feel we’re on a relentless journey to bridge the gap between digital and traditional processes. Wilson Miner brings us one step closer by offering up a way to work with typographic baselines on the web.
Big, Stark & Chunky
You’ve designed for the screen and made provision for blind, handheld, and PDA browser users. But what about low-vision people? Powered by CSS, “zoom” layouts convert wide, multicolumn web pages into low-vision-friendly, single column designs. Accessibility maven Joe Clark explores the rationale and methods behind zoom layouts. Board the zoom train now!
Dynamic Text Replacement
Let your server do the walking! Whether you’re replacing one headline or a thousand, Stewart Rosenberger’s Dynamic Text Replacement automatically swaps XHTML text with an image of that text, consistently displayed in any font you own. The markup is clean, semantic, and accessible. No CSS hacks are required, and you needn’t open Photoshop or any other image editor. Read about it today; use it on personal and commercial web projects tomorrow.
Power To The People: Relative Font Sizes
Relative font sizes may make websites more accessible — but they’re not much help unless the person using the site can find a way to actually change text size. Return control to your audience using this simple, drop-in solution.
