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Issue № 390

Web animation, without the F word (Flash, that is).

UI Animation and UX: A Not-So-Secret Friendship

by Val Head12 Comments

The words “web animation” make many of us search frantically for the “skip intro” button, but adding motion to our work can be meaningful and functional—when we find the right circumstances. Animation can provide cues, guide the eye, and soften the sometimes-hard edges of web interactions. Val Head shows you how CSS makes it possible.

Web Animation at Work

by Rachel Nabors10 Comments

We use HTML to tell stories and communicate vast amounts of information—and animation helps us do both better. Just as hierarchy guides users through content, animation guides them through interactions by helping them understand relationships, structure, cause, and effect. Rachel Nabors explains her fascination with CSS3 animations, Canvas, SVG, the web audio API, webGL, and all the rest, and explains why we need web animation—and web animators.

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Was that conference worth it? There were smart tips and awesome people. Should you buy a ticket this year? For a freelancer or small business, it can be a significant expense. Wouldn’t it be great to know if the investment in time and money is likely to move the business forward?

From the Blog

10 Years Ago in ALA: Pocket Sized Design

The web doesn’t do “age” especially well. Any blog post or design article more than a few years old gets a raised eyebrow—heck, most people I meet haven’t read John Allsopp’s “A Dao of Web Design” or Jeffrey Zeldman’s “To Hell With Bad Browsers,” both as relevant to the web today as when they were first written. Meanwhile, I’ve got books on my shelves older than I am; most of my favorite films came out before I was born; and my iTunes library is riddled with music that’s decades, if not centuries, old.

Valediction

When I first met Kevin Cornell in the early 2000s, he was employing his illustration talent mainly to draw caricatures of his fellow designers at a small Philadelphia design studio. Even in that rough, dashed-off state, his work floored me. It was as if Charles Addams and my favorite Mad Magazine illustrators from the 1960s had blended their DNA to spawn the perfect artist.