Getting to Flow

When design and client cultures truly come together, magical and memorable projects emerge. These magic projects aren’t random, though—they happen when you reach a state of flow. The beautiful part is, you can get both yourself and your client into a flow state more often by doing three things: enabling immediate feedback, balancing capability and challenge, and setting clear goals with visible progress. Breandán Knowlton shows you how.

Defining a Vision: Making Sure Your Work Matters

When an architect designs a structure, he or she can be fairly sure the work will endure for decades, maybe even centuries. Here on the web, we’re not so lucky. Knowing how temporary digital creations can be, how can we ensure our work matters? By defining the organization’s vision. This isn’t just about solidifying a mission statement, though. Russ Starke shows you how to help organizations create a detailed story of their future success—and how that story can serve as a compass for both the company and its customers.

It Is What It Is

One of my first managers — we shall call him Bob — had a saying that used to drive me nuts. To most of my complaints about workplace dysfunctions in our manager-employee one-on-ones, Bob would respond, “It is what it is.”

Hellish Other People

Childish, inaccurate, bizarre, and condescending? Perhaps—but you can’t just ignore articles like that. Tomas Chamorro-Premuzic’s Seven Rules for Managing Creative People sets lofty standards for missing the point. At its nadir—“Creatives enjoy making simple things complex, rather than vice versa”—it ranks among the most baffling things ever written about creativity.

Give a crap. Don’t give a fuck.

How do you know if you’re doing a good job? There’s always an external way to measure quality—being prepared, attending to the details, listening to the collective wisdom about what it means to do good work. Give a crap about the little things, and you’re good.

What about doing a great job? There’s no checklist, no guidelines that will get you there. Being great means being vulnerable; not giving a fuck about what other people think. It’s harder than it sounds.

See What I Mean

We’re pleased to share an excerpt from Kevin Cheng’s new book, See What I Mean: How to Use Comics to Communicate Ideas, available now from Rosenfeld Media.

Becoming Better Communicators

As designers, we already know how to communicate with users in a language they understand. Yet, we often don’t do this when communicating with those whom our work requires us to talk to every day: our own colleagues. Inayaili de León shows us why—and how we can build the human relationships and shared vocabularies we need to get better at it.

Facilitating Great Design

Imagine the most fulfilling, collaborative design meeting you’ve ever had. Hours seemed to fly by, and those hours were productive. Political and mental barriers melted away and in their place were innovative ideas, or realistic solutions for complex problems. For several shining moments the team worked as one; the conversation or the activity was equally fun and productive, and you left the room feeling smart and empowered. It’s highly likely that someone in that meeting was a facilitator, either by design or by accident. Kevin M. Hoffman leads us through what it takes to facilitate great design.

Artistic Distance

Pimpin’ ain’t easy; neither is self-critique. If you are passionate about what you create, it is impossible to completely disassociate yourself from your work in order to objectively evaluate and then improve it. But the ability to achieve “artistic distance” that is, to attain a place that allows you to contemplate your design on its own merits, will enable you to improve your own work immeasurably and, ultimately, to cast off the immature shackles of ego. Learn to let your work shine by letting go of it. Acquire the knack of achieving artistic distance.

An Important Time for Design

Design is on a roll. Client services are experiencing a major uptick in demand, seasoned design professionals are abandoning client work in favor of entrepreneurship, and designer-co-founded startups such as Kickstarter and Airbnb are taking center stage. It’s becoming increasingly difficult to ignore the fact that design has a massive role to play in the evolution of the web and the next generation of web products. The result, says Cameron Koczon, is that designers have now been given a blank check, one that lets web designers band together as a community to change the way design is perceived; change the way products are built; and quite possibly change the world.