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Issue № 402

Using Git to prevent, find, and fix flaws.

Git: The Safety Net for Your Projects

by Tobias Günther · 4 Comments

Are you one server outage away from losing the past week of work? Are you dealing constantly with buggy code, spending hours of time figuring out where errors were introduced? Tobias Günther thought this was just the way coding worked, until he started using Git for version control—and began to see huge improvements in workflow. Today he’ll walk you through the organized, approachable, and completely sane world of Git as he’s learned it. Your next project will thank you.

Running Code Reviews with Confidence

by Emma Jane Hogbin Westby · 2 Comments

Where does code review factor into your process? Don’t make it an afterthought, or avoid it altogether; Emma Jane Hogbin Westby shows us how code reviews can be done constructively and painlessly in this walkthrough. Even if you aren’t using Git to store your code, the principles here will make for an objective, consistent feedback process—and an even better end product.

More from A List Apart

Columnists

Rachel Andrew on the Business of Web Dev

Getting to the Action

Was that conference worth it? There were smart tips and awesome people. Should you buy a ticket this year? For a freelancer or small business, it can be a significant expense. Wouldn’t it be great to know if the investment in time and money is likely to move the business forward?

From the Blog

10 Years Ago in ALA: Pocket Sized Design

The web doesn’t do “age” especially well. Any blog post or design article more than a few years old gets a raised eyebrow—heck, most people I meet haven’t read John Allsopp’s “A Dao of Web Design” or Jeffrey Zeldman’s “To Hell With Bad Browsers,” both as relevant to the web today as when they were first written. Meanwhile, I’ve got books on my shelves older than I am; most of my favorite films came out before I was born; and my iTunes library is riddled with music that’s decades, if not centuries, old.

Valediction

When I first met Kevin Cornell in the early 2000s, he was employing his illustration talent mainly to draw caricatures of his fellow designers at a small Philadelphia design studio. Even in that rough, dashed-off state, his work floored me. It was as if Charles Addams and my favorite Mad Magazine illustrators from the 1960s had blended their DNA to spawn the perfect artist.